Archives for posts with tag: Hotshoe Flashes

Mobile Lighting for Travel Photography

Light, durable, and inexpensive mobile lighting setups for travel photographers


tech tuesday hirschy Mobile Lighting for Travel Photography   Brian Hirschy Photography

Todays Tech Tuesday is all about lighting.

Let me start by saying that there are some travel photographers that won’t go near artificial lighting – I am not one of those.  I’m not discriminating between those who use artificial light and those who don’t.  I don’t really draw a strong distinction between the two, other than to say I love natural light just as much as I love lighting setups in many ways – it just happens to be the lighting setups that get my blood rushing and make me excited about being a photographer.  If you are one of the strictly natural light guys, no worries – unfortunately you might not get much out of this post other than maybe some information you can store away for when you do pick up a strobe,.

Moving on…

Over the last month I’ve been asked several times about what lighting setups I use while I’m on the field.

Here is my typical field setup.

bhlights Mobile Lighting for Travel Photography   Brian Hirschy Photography

Just a quick list of what you see above

  1. 2x Westcott 43″ convertible umbrellas (here)
  2. 2x multiclamps w/ shoe mounts (here)
  3. 2x Nikon sb-24’s (here)
  4. 2x Manfrotto Nano Portable light stands (here)
  5. 1x Paul C. Buff CyberSync Trigger Controller (here)
  6. 2x Paul C. Buff CyberSync Trigger Receiver (here)
  7. 1/8th gridspot (here)
  8. Lightsphere, rechargeable batteries, red bungie things, tape

The real beauty of this setup is in the fact that it takes up very little space in my bag and it was super cheap compared to most setups.  I’ve taken this exact setup all over SE Asia without thinking twice.  If you’re setup is too big or you have the mental conversation about “should I take it or not” , you probably wont take it, and in my opinion, the setup is too big for you to easily get out, set up, and capture a killer shot if the situation arises.  Food for thought:  It took me less than 3 minutes to get this shot from having nothing setup – here’s what I got. The setup can be seen here.

A closer look after the break…

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CHINA, HONG KONG, AND MALAYSIA (3 OF 3)

Meetings, shoots, 3 countries, and lots of me being behind a camera - THE WEDDING!


Last weekend I got the chance to shoot a Malaysian wedding w/ Matt (see his shots here).  It was quite an experience full of customs that frankly I was somewhat ignorant about other than my desperate night before wikipedia cram.  A Malaysian muslim wedding is an extremely colorful thing which made it a lot of fun to shoot and somewhat more fun than your average ‘all white’ wedding – no offense!

Some of these shots were with a shoot through umbrella while others were using a standard diffuser and bounce – I even broke out the Fong Dong.

It was fun to work with a local photographer as well and to see what shots the locals are actually requesting (see the silhouette against the window).  It’s always a learning experience to shoot w/ a photographer from another culture that sees the wedding as an insider.

Take a look.

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China, Hong Kong, and Malaysia (1 of 3)

Meetings, shoots, 3 countries, and lots of me being behind a camera


I spent the last 7 days hoping between meetings, countries, and shoots.

Last Tuesday I had a meeting in Hong Kong to research possibilities for a future lighting/fashion/city-based workshop there with some awesome instructor(s).  Was an amazing trip filled with good food, some new friends, and just a whole lot of doing what I love – spending time behind a camera.  That being said I had 5 meetings in 7 days discussing some exciting things going photographically in Asia as well as the opportunity to do a quick scouting shoot in Hong Kong for this future workshop that we will help run later this year (stay tuned!)

Some shots from my 3 days in HK last week with Penang Clan Houses and Mosques coming tomorrow!

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Modernization

The Machine is in Motion: What now?


modern head Modernization   Brian Hirschy Photography

On Thursday I threw up a post about scouting out our local Tibetan market. I was excited to find that these markets have these old plexiglass roofs that have changes to all sorts of interesting colors.  I wanted to shoot the modernizing Tibetan culture in a place surrounded by the ancient.

Things rarely, if ever, go the way you want them to here.  The streets that I wanted to shoot on were blocked off by cars that hadn’t been there the day before.  The guys we had found turned out to be awesome – I’ll elaborate on that in a second.  Anyways, they all showed up 45 minutes late and then everyone had to leave 20 minutes after we started.  To top things off I had a flash completely bite the dust on me.  For those of you keeping track – that’s the setting, the setup, and the timeframe all shot.  Nonetheless, it was an awesome rushed 20 minute shoot.

Over a very quick Tibetan-style breakfast I learned quiet a bit about our models.  One of them is a law student with one year left until he graduates.  He also spoke fluent english.  The other is a striving business man and also a part-time student at one of the high-level colleges in our city.  Is that what you think of when you think of a Tibetan?

Here’s the contrast: Less than 10 years ago both of these guys were nomads.

NGO, humanitarian, and travel photographers everywhere undoubtedly deal with this routinely.  We go off to get the “exotic” shot in some place that we are certain hasn’t been touched by modernization only to find a monastery that owns it’s own gas station (click here & here), a generations-old workshop with a plasma screen tv and a Nintendo Wii setup inside, or a nomad with an iPhone.

What now?  What is our response supposed to be in the face of inevitable modernization?

I fear that our immediate response is to reject modernization outright rather than seeing how it’s adapted into the culture and no harm is done and how modernization has actually helped a society.  How often do we put on the self-righteous mask and end up doing more harm than good?  Am I going to refuse to teach my neighbor how to use his carbon monoxide detector simply because it represents modernization?

I know many people in western cultures that actually takes more offense to this than the changing culture does.  We as humans seem to be creatures of habit – we don’t like change.  As soon as we seen change we throw on the brakes, cry foul, and start picketing the nearest Wal-Mart.  Don’t hear me saying that modernization doesn’t have the ability to erode culture – I believe it does have that ability.  My question is simply how do we as people, often times trying to help and do the right thing, interact with this.

In most societies the machine is in motion and we can’t stop it whether we deem it good or bad.  With that in mind I think we must consider our response

  • How can we effectively document the change?
  • Do we carry a bias that actually prevents us from documenting what is actually happening
  • Do we have the right as a cultural outsider to decide for a culture if modernization is in it’s best interest?
  • If we are seeking to help, is complaining about the change rather than actually helping within the change really a good idea?
  • Are we just miffed because it’s not what we expected?  Does the monk playing the Wii ruin the shot we made in our mind?

I’m an advocate for cultural preservation, but I’m more of an advocate for actually helping rather than fighting the wind.

Some food for thought, these guys that I photographed this morning – every bit Tibetan and every bit business men, students, and future leaders.  They embrace both their culture and the change (notice those suit pants on underneath the traditional cloak). I didn’t plan the shoot this way – I was envisioning something completely different.  The fact that this is what I got should say something about the changing nomadic society.  Honestly, I love what I got.

I intentionally left this post open ended – mostly because I doubt there is an exact answer.

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Reasons to do a self portrait series.

And how to let it improve your photography.


portrait big Reasons to do a self portrait series Reasons to do a self portrait series.   Brian Hirschy Photography

So I love portraits.

Since I’ve moved into a new complex and the locals are getting used to us, the culturally relevant and respectful portrait opps have been sparse.  So what do you do when there is no one to shoot and your creative juices are flowing?  In my case, the self portrait.

I love the self portrait.

Around 3 months ago I had the idea to do a 30 day self portrait series with a certain amount of creative resctrictions.  The restrictions were as following:

  • I could use two strobes, but they must be in the same position and power settings.
  • I had to take the shot at the same time of day
  • At that time, I had to stop what I was doing and incorporate what I was doing into the shot
  • If I wasn’t home, then no worries
  • I had three exposures to play with
  • Same focal length, camera settings, etc

The setup

  • 35mm 1.8 Nikkor
  • Taped off: Tripod Location, Camera mount on RRS head & L Plate, taped off tripod head settings, Taped off my position
  • Wireless Remote Shutter release
  • Shot against a white, concrete, bland, cold, Chinese plastered wall

So take a look at these next 14(hardly 30, we will address that) images from a 30 day self portrait series and then we will discuss what you can learn about photography, lighting, and yourself after these images.

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