Archives for the month of: May, 2010

I’m a Photographer: Stephen Hunton

Photographer + Family Man + Hustler?!


Welcome back  to our  ”I’m a Photographer: Discussions on the life of a Photographer“ series today (three weeks late).  I apologize for the delay in these, however I had a very good reason. (also see here).  If you aren’t sure what these interviews are all about, check this out.  This is our 3rd of 6 interviews and the last three will be posted in the next week and will include guys like David E. Jackson.

Our next interview comes from my good friend, Stephen Hunton.   He is full time professional photographer and as of last month started his own Advertising firm – another busy guy.  Stephen is one of the nicest guys I’ve ever known and his dedication for his art and furthermore for his family shines through – even while being busier than ever.  Stephen lives in Atlanta and is one of the only photographers I know that truly practices what he preaches – get your butt out there and hustle!

Take a look at what he’s up to. Be sure to check out his work herehere, and here with some shot’s at the end of the interview.  Also be sure and follow Stephen on Twitter!

Quickly describe your situation/life/craziness as a photographer.

Full-time photographer, hustler, marketer, people meeter & greeter

Real quickly tell us what you shoot, your style and what the perfect day of photography would look like.

Right now I shoot a little of everything, from corporate to music to weddings.  My sweet spot is music/editorial and I hope to grow that into commercial.  My perfect day of shooting is really a bunch of days before and after the shoot.  I love to concept a shoot, plan, prepare and then execute that vision on set and in post production.

Where did the photographic bug come from?  Why do you suspect it hasn’t faded away?

In high school I took a photo 101 class.  We used film cameras and got to play around in the darkroom.  I LOVED IT. But, I guess the real bug came in ‘06.  My first son was about to be born and my parents hooked me up with a D80.  I was terrible with a DSLR but because I’m a bit uber-competitive, I just shot everything under the sun until I started to figure things out.

I guess it hasn’t faded away because it’s the best way for me to exercise my creative side and I love the emotion that comes from the images.  It’s also just cool how this photographic community has grown online/offline and I think that keeps you drawn in, when other photogs are sharing/caring/encouraging each other.

Why do you think it’s so hard to transition from a person working a full time non-photographic job to a full time photographer?

It takes a completely different mindset.  You go from knowing that you have a new check in the mail every 15 days to wondering when the next gig will be.  There are these huge roller coasters of ups and downs.  I’ve always been a people person, but once I hit the ground as a full-time photographer I became an instant hustler.  Nobody knows me unless I somehow figure out how to share my work with them.

What’s the most frustrating thing about being a “Recently full time” photographer?

Not knowing all the right moves.  In my old job, I could do pretty much any project easily because I’d done it before.  Shooting a TV campaign for $1 Million wasn’t difficult because I’d done it before and there was an amazing team of people around us to make sure everything alwasy got done.  Now it’s JUST me and there are days of feeling like things just are not progressing and days where validation pushes me back to center again.

What’s a bad day look like for someone in your position?  What’s a good day look like? What are the frustrations and successes?

A bad day…. no leads, no meetings, no emails.  It’s rare to not have any emails come through, but back in December I got my first taste of a freelance Christmas… nobody’s working. nobody’s responding.

A good day is shooting a fun project that is more than just showing up and clicking the shutter.  I prefer shooting when it’s involved creative input and some vision.  I also love days where I’m getting to network and meet new people to either share my work or hear about what they’re doing.

If you had to give an educated guess, why do you think most people in your position struggle to make it?

It takes really thick skin to do this and you have to be willing to fail often.  Some of the most talented people I’ve known in life, whether creatives or athletes or musicians, have struggled the most because they just felt that it should be given to them.  Just being a good photographer isn’t enough, you have to also have a hunger to grow your business.  I honestly probably use my camera 5-10% of the time.  The rest is business growth, whether it’s meetings, emails, introductions, phone calls, blogging, tweeting, lunching… you get the drill.

What’s a recent or next “big step” or decision in you photographic career?


A next step in my career is figuring out how to merge photography with my advertising career.  I’ve had some opportunities to do branding consulting/development and have realized that I do love that business as well. I think diversifying my business will help me to bring more value to corporate/commercial clients and hopefully allow me to be more selective in the types of photo jobs I go after.

I started a consulting/branding company called Rocket Shine recently and am spending a lot of time figure out its brand and how we’ll move beyond the first Client we won (before we had a business name) and find a balance between growing the photography side of my life with the growth of this business.

What keeps you going?  What motivates you to keep doing this?

Passion.  Family.

I’m passionate about creating images and growing as a photographer.  I know I’ve got so far to go in this journey and it’s my family that really motivates me to push hard and stay a “hustler”.  We’ve been at this for 10 months, and “the lights are still on” (the phrase I use when people ask how it’s going), so we’re blessed to have come this far.

What advice would you give to someone in a similar situation as you?

Get hungry.  If you’re not hungry, don’t come to the table because there are plenty of other photogs out there that are WAY better than you.  But, there are plenty that are nowhere near as good as you.  To recall my Senior Quote from highschool (and the mantra I lived by when working my butt off to get a college scholarship to play D1 Tennis) “Hard Work ALWAYS Beats Talent, if Talent Doesn’t Always Work Hard.”  We all fall somewhere into that quote, but if you work hard you’ll find yourself getting more opportunities to prove yourself and grow your business.

 

In the mean time

Three weeks worth of doing more important things


As you have already gathered, the last three weeks have been insane.  If you aren’t aware of why, go here and read the whole thing (or check out what The Digital Trekker has to say).  Nonetheless, it’s always theroputic to run out on the street during the busy days and snap a few shots around town as stress relief.

Some of my favorites below were taken right outside our office here.  The complex we office out of is predominantly people from Yushu.  Because of the earthquake, the butter candles were lit every single night, which made for a photo opportunity that even someone sleep depraved as myself couldn’t miss.

 

The Faces of Relief

A photographers reaction to disaster


Before I jump into this post, I would encourage you to do what you can for the suffering in Yushu.  The quakes there left close to 100,000 people homeless.  The very little that they once had is now gone.  For more information or for how to give directly to those providing relief, please visit Yushu Earthquake Relief.

The last three weeks have undoubtedly been the hardest three weeks of my life.

On April 14th at 7am my wife woke me up with the news that there had been a series of powerful earthquakes in and around Yushu, a town 500+ miles southwest of where we live and work.  An earthquake in this area is significant.  Not only was my Plateau Photo Tours partner living in Yushu at the time, but most of our friends, co-workers, and employees are from this area – not to mention we had two Lumen Dei tours with David duChemin and Matt Brandon planned to this area this summer.

Instead of preparing for Lumen Dei trips, I found myself back at our NGO’s office coordinating medical supplies and teams to enter into the earthquake area as well as utilizing my skills in a past life as a web designer.  My camera was no where in site for good reasons:  1.) 6′5″ bearded foreign photographers were not allowed into the quake area and 2.) there was no way I would be able to photograph something so personal for quite a while.

As a photography working closely for and with NGO’s as well as coordinating tour’s to the plateau, I very well know the power of an image to raise awareness for a cause – but this is China.  In this part of the world you can’t just show up and expect the red carpet treatment.  In fact, you can’t just show up and expect to be allowed to even participate in relief work.  You have to have permission for three different levels of government, signed and stamped letters to pass checkpoints, verbal governmental approval while en-route to the quake zone, etc. (Luckily I work for the ONLY foreign NGO invited into the quake area by the provincial government to participate in medical relief work.)

Nonetheless, as a photographer, how do you respond to something like this?

Within the first 5 hours after the earthquake, my ideas of what a hero looked like started to change drastically.  I, with no small amount of difficulty, saw pictures on the news of destroyed restaurants where I had enjoyed butter tea with close friends less than two months earlier.  I saw pictures on the internet of my friends homes in ruin (literally).  I saw a place that I have covered photographically in one form or another for almost 8 years in absolute ruin.

To make a very long story short** – I decided to do a photo series of those around me doing direct relief work – my new heros.  These are people who spent the first 72 hours after the quake wide awake, people who travelled 600+ miles over 16,000+ foot passes in order to provide medical relief to those in need.  These are people who saw patient after patient, sent truck after truck, or spent hours on the phone all for continued success of the relief work in Yushu.  These are people who have put life on hold for the last two weeks and have slept far too little – just to provide what relief that can to the suffering in Yushu.

These are heros.  These are the Faces of Relief.  Read more after the jump

continue reading…

 
Brian Hirschy Photography